{"id":45155,"global_id":"therai.org.uk?id=45155","global_id_lineage":["therai.org.uk?id=45155"],"author":"5","status":"publish","date":"2025-12-11 14:13:10","date_utc":"2025-12-11 14:13:10","modified":"2026-01-12 14:21:22","modified_utc":"2026-01-12 14:21:22","url":"https:\/\/therai.org.uk\/events\/a-kabul-music-diary-2003-film-screening-and-conversation\/","rest_url":"https:\/\/therai.org.uk\/wp-json\/tribe\/events\/v1\/events\/45155","title":"A Kabul Music Diary (2003): Film Screening and Conversation","description":"

Film Event organised in partnership with the Afghanistan Society<\/p>\n

Thursday 22 January 2026, 18.00 (GMT)<\/strong><\/p>\n

Doors open at 17:30, 30 minutes wine reception, screening starts at 18:00
\nLocation: RAI, 50 Fitzroy Street, W1T5BT London
\nTickets must be booked in advance, here: https:\/\/www.eventbrite.co.uk\/e\/1977611941553?aff=oddtdtcreator<\/a><\/p>\n

\n

A Kabul Music Diary<\/em>\u00a0(2003):
\nFilm Screening and Conversation<\/strong><\/h3>\n

with John Baily and Andre Singer<\/strong><\/p>\n

We\u2019re beginning the new year with a special screening dedicated to the work of John Baily, <\/strong>Emeritus Professor of Ethnomusicology and the former Head of the Afghanistan Music Unit at Goldsmiths, University of London.<\/p>\n

John has been closely connected to the music of Afghanistan since 1973, and his contribution to the field has shaped how Afghan musical heritage is studied, taught, and understood.<\/p>\n

This event \u2014 organised in partnership with the Afghanistan Society \u2014 will centre on a screening of his film A Kabul Music Diary<\/a><\/strong>\u00a0(2003, 52 minutes), followed by a Q&A moderated by Andr\u00e9 Singer.<\/p>\n

 <\/p>\n

The film follows John\u2019s return to Kabul a few months after the fall of the Taliban to observe how music was re-emerging in public life. The film documents a range of musical expressions \u2014 from traditional rubab performances to a student pop group experimenting with electronic instruments. Beyond its observational richness, the film captures a moment of cultural reawakening under shifting political realities. Showing this work now feels especially important as it reminds us of the fragility and resilience of cultural practice, and of the role film can play in witnessing, remembering, and honouring forms of expression that are once again under threat.<\/p>\n

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